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On the “A” w/Souleo… May 08

Kym Whitley challenges the stigma of adoption with Raising Whitley

Harlem Arts Alliance Presents: On the “A” w/Souleo

Mother’s Day is meant to only celebrate mothers and motherhood, but actress and comedienne, Kym Whitley knows that it truly takes a village to raise a child. On her new docu-series, Raising Whitley, she shares her humorous and emotional journey through motherhood with the support of family and friends.

“I hope that this show teaches other single parents to build a village to ask for help,” she says. “So many people are busy working now but we need to go back to the old days when grandma and the neighbors helped raise the children, and we were all the better for it.”

Beyond encouraging parents to ask for support, as an adoptive parent, Whitley wants the show to remove any associations of shame surrounding adoption. “In the African-American community we are very hush, hush about things in our life. Once I adopted Joshua so many of my friends that I’ve known for years came out of the woodwork about being adopted too. So I want to raise awareness of adoption and take away the stigma.”

The Apollo Theater, Harlem Stage and Jazzmobile, Inc., in collaboration with ColumbiaUniversity, have a special treat for all mothers and fathers this week with the Harlem Jazz Shrines Festival. Highlights include, S. Epatha Merkerson’s  staging of Geri Allen & Friends Celebrate the Great Jazz Women of the Apollo; Marc Cary‘s celebration of Abbey Lincoln with Moseka House: The House That Abbey Built; and Columbia University’s Harlem Jazz Shrine Dialogues: Cotton Club in Black & White and more here.  ”The Harlem Jazz Shrines Festival provides an essential forum for us to claim and uphold the great musical traditions that were born and nurtured in Harlem and continue to thrive through the talent of both emerging and established artists,” says Patricia Cruz, executive director of Harlem Stage.

The writing style of celebrated author, Walter Mosley has often been compared to jazz and now he will bring that flavor to the stage at the Crossroads Theatre Company. This weekend is the premiere of two one-act plays: Mosley’s White Lilies and the adult comedy The Talk, by France-Luce Benson. Mosley’s story is set in the 1970s and touches on themes of love, faith and forgiveness. During a phone conversation, he shared why the play almost never made it to the stage. “I had wrote it 20 years ago and presented it at a reading at the Public Theater. The person responsible for the reading at the time was so negative about it that I figured I didn’t know how to write plays and I forgot about it. Then years later I realized it was only an artistic difference between me and this person and I can write plays.”

With his multitude of talents, perhaps Mosley can choreograph too but if not, we can leave that up to the Alvin Ailey American Dance Theater, which will bring its 21-city national tour to the New Jersey Performing Arts Center this weekend. The opening night performance on Friday, May 10 will be a 70th birthday celebration for legendary dancer and choreographer, Judith Jamison. Robert Battle, artistic director notes that honoring Jamison is a chance to reflect and look forward. “Dance came from the people and should always be delivered back to the people. Judith Jamison carried that torch, and now I carry it. Join us this Mother’s Day weekend to see how Ailey’s legacy is burning brightly,” he says.

The fire still burns strongly for Byron E. Lewis, Sr., the chairman and founder of UniWorld Group, Inc, the longest-standing full-service multicultural advertising and communications agency in the U.S. Lewis was honored this past week at The Schomburg Cerner for Research in Black Culture for what The Hon. David Dinkins acknowledges to be his ability to shatter barriers. “When he was in the business in the beginning there were maybe 20-25 people of color and thousands upon thousands of white folks. Those who go first open the doors for a lot of others not just in that discipline but in others too,” says Dinkins.

The doors of Saks Fifth Avenue’s Manhattanflagship were open to the fashion forward and socially conscious at OrphanAID Africa’s spring fundraising event. During the event, 10% of sales from CoSTUME National’s Fall 2013 collection benefitted the charity. The stylishly dressed included, singer/actress Sophie Auster, OrphanAID Africa board member, author Nana Ekua Brew-Hammond, writer/editor Alexis Garrett Stodghill and ArtCrawl Harlem co-founder, Jacqueline Orange. CoSTUME National head designer Ennio Capasa shared his thoughts on the importance of the fashion industry paying it forward. “OrphanAID Africa really supports the children in Africa and I admire what they are doing. In my industry we cannot forget the people that live in a different condition from us.”

Apparently it takes a village and fashion to raise our children.

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The Harlem Arts Alliance is a not for profit arts service organization celebrating 10 years of service to a prestigious list of members such as the Apollo Theater, the Greater Harlem Chamber of Commerce, Columbia University, Harlem Stage (Aaron Davis Hall) and over 850 more cultural/arts institutions and individuals. The weekly column, Harlem Arts Alliance Presents: On the “A” w/Souleo, covers the intersection of the arts, culture and entertainment scene in Harlem and beyond and is written by Souleo, founder and president of event/media content production company, Souleo Enterprises, LLC.

On the “A” w/Souleo… Dec 07

Robert Battle, Jessye Norman, Anika Noni Rose and Brian Stokes Mitchell. Photo by Christopher Duggan

Celebrities Celebrate Dance with the Alvin Ailey American Dance Theater 

Harlem Arts Alliance Presents: On the “A” w/Souleo

Dance is more than an artistic display of the physical prowess that lies within the human form. For many of those who attended the Alvin Ailey American Dance Theater opening night gala benefit at New York City Center, dance is a catalyst to exploring new possibilities. On the red carpet, veteran actress and Harlemite, S. Epatha Merkerson, revealed that she was once a former dance student and that the experience helped her find limitless potential in the arts.

That door to exploration that dance helped open has led Merkerson to produce and direct her first documentary film, The Contradictions of Fair Hope, which she is now shopping to festivals and distributors. Narrated by Whoopi Goldberg the film traces the development, struggles, contributions and gradual loss of tradition of one of the last remaining African American benevolent societies, known as “The Fair Hope Benevolent Society” in Uniontown, Alabama. “The documentary tells you how it got from that place of nobility to what it is and what happens when you forget your history,” she says.

Inside the event, the evening was all about celebrating the present as Artist Director Robert Battle debuted the new season with a performance of Ohad Naharin’s Minus 16. Grammy Award-winning opera star, Jessye Norman and Tony Award-winners Brian Stokes Mitchell and Anika Noni Rose led a finale of Alvin Ailey’s masterwork, Revelations with live music.

Opening one’s eyes to new visions is the goal behind the latest exhibition, 10 Squared, which is currently on view at the LeRoy Neiman Art Center in Harlem. As the organization’s program director/curator, Omo Misha explains, the work features artists from all communities and mediums presenting affordable works on 10”x10” blank surfaces. “I wanted this to be an opportunity for artists to express their views on whatever they feel passionate about for the collective universal voice of art.”

Also seeking to bridge gaps between global communities is the Rush Arts Gallery exhibition, I Dreamed My People Were Calling. Curated by Danny Simmons, the exhibition, seeks to tie together the ancestral and contemporary forms of artisans of African descent through the dynamic works of Imo Imeh, Sol Sax, and Margaret Rose Vendryes. Simmons expressed that he hopes the show will eliminate romanticized notions of Africa. “All this work is created in the image of Africa but for African-Americans it’s a romanticized view of Africa. I wanted to take an artists’ take on what Africa means to us all. For me it’s a spiritual heritage that ties me back to a long history of art making and community and the cradle of human begins.”

Similarly seeking to encourage unity is the book, Everybody Paddles, a collection short stories and memoirs that stresses the importance of teamwork in family, community and work environments. Author, Charles A. Archer celebrated the release with a private party at Pranna, coordinated by Bee Season Consulting and God-is Rivera of 319 Public Relations. Archer hopes that the book leads to a social movement of change. “This is a call to the end hostiles, rich vs. poor and find common ground to work together,” he says. “If we partner better and collaborate better we can do those audacious things we want to do.”

One of the more touching stories in the book is by senior editor for Juicy Magazine, Taiia Smart Young where she describes how her mother has been instrumental to her success in media. Young notes that the concept of paddling begins in the home. “I feel like sometimes parents can be dream killers. If a child says I want to do something then parents need to find a way to make it possible,” she advises. “My mother knew nothing about writing as a career but she was the first person who taught me to paddle and gave me that push.”

While the organization WAT-AAH!, does not hand out paddles, they do provide water and healthy lifestyle tips. The company which is the first premium line water free of  sugar, calories and additives for kids by kids recently produced a benefit event, 1 Act, Give Back, Feel Good in partnership with DoSomething.Org. The event, which was also in response to the devastation caused by Hurricane Sandy, collected canned goods to benefit The Food Bank For New York City.

During the event, WAT-AAH!, Founder/CEO, Rose Cameron shared her passion for empowering children to be responsible for their own health. “When a mother talks to a kid they don’t listen to you. So we determined the best way to do is let the kids rule and let them define the branding of the company.” Thus far the approach is working as WAT-AAH!, has major partners including First Lady Michelle Obama’s, Let’s Move initiative.

Be sure that you move on over to the following events this week including: Dance Theatre of Harlem’s Nutcracker Sunday Matinee; the opening of VISIONS, Art and Matter at La Maison d’Art; and From Cover to Cover: 20 Years of African Voices.

Correction: In last week’s column the name of Drumma Boy’s company was incorrectly listed. The actual name is Drum Squad DJ’s.

 

 

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The Harlem Arts Alliance is a not for profit arts service organization celebrating 10 years of service to a prestigious list of members such as the Apollo Theater, the Greater Harlem Chamber of Commerce, Columbia University, Harlem Stage (Aaron Davis Hall) and over 850 more cultural/arts institutions and individuals. The weekly column, Harlem Arts Alliance Presents: On the “A” w/Souleo, covers the intersection of the arts, culture and entertainment scene in Harlem and beyond and is written by Souleo, founder and president of event/media content production company, Souleo Enterprises, LLC.